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Hi there! This is Esben, an elegant photography theme. Are you ready to show your work to the world?

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Hello and welcome to my obligatory online shrine. I appreciate your visit!

“About” pages give me the heebee jeebies. So let’s connect!

When we do, I’ll introduce you to all of my houseplants. (This is not sarcasm.)

In the meantime, here’s a bit about my work so far.

Upcoming

Audiobook Narrations on Audible and Itunes:

THE THIRD MUSE

MISTER HIDE’S PROGRESS

YOUR SPARKLE CAVALCADE OF DEATH

Head over to the “Listen” page for samples!

Previously

Fall/Winter 2020  I played the infamous Sally Bowles in CABARET at Arizona Theater Company!

In the summer of 2019, I originated the title role of Angie Mastrantoni in the world premier of THE SABBATH GIRL at Penguin Repertory Theatre.

Previously, I joined the first national tour of SCHOOL OF ROCK as the delightfully domineering, Patty DiMarco!

In 2017, I made my Broadway debut in the critically acclaimed musical, THE BAND’S VISIT standing by for Tony Award winner, Katrina Lenk, in the starring role of Dina.

I can also be seen as Lisa on season 3 of the Netflix Series, Orange is The New Black and on the web series “A Beard Grows in Brooklyn”.

My regional theater work also includes Barrington Stage Company, Pioneer Theater Company, Arkansas Repertory and off-Broadway at the Signature Theater.

View Resumé

CABARET

Madison Micucci is "perfectly marvelous" as Sally. Her energy is electric from the first moment she appears on stage until her devastating performance of the climactic title song. She captures Sally's pluck and underlying fragility, and manages to make her sympathetic even in her most destructive and infuriating moments. Her solos "Maybe This Time" and "Cabaret" are the show's strongest numbers.

Tucson Weekly

CABARET

Madison Micucci (is) excellent... appropriately animated, talkative and excitable as the shocking, carefree and mysterious Sally

Talkin' Broadway

CABARET

Doyle and Micucci light the stage as they move to the music, both seeming to have been born to play their respective roles. It is a joy to see them perform and the audience can feel it.

Front Row Reviewers

THE SABBATH GIRL

Micucci's performance as Angie is the emotional engine that makes the play move. From her first entrance, Micucci makes Angie accessible and sympathetic and continues to portray each new facet of Angie's character with equal ease, as we learn more and more about her.

Broadway World

THE CRUCIBLE

THE CRUCIBLE left the audience reeling... If any of the real participants were as excellent of actors as Madison Micucci, the fiery ringleader of the child accusers, it would be no wonder they were believed.

The Utah Review

THE CRUCIBLE

As Abigail Williams (in) THE CRUCIBLE, Madison Micucci is an unnerving mix of sensual and conniving, eventually seduced by her own desire for power.

The Salt Lake Tribune

THE CRUCIBLE

Micucci glints and sparks as the relentlessly devious Abigail. She maintains an extremely active stage presence and communicates her character’s frame of mind at each instant, often with expressions as subtle as a sly smile or a glint in her eye. In her portrayal of the role, it’s clear Abigail’s wickedness knows no bounds.

Deseret News

BEST IN CLASS

As a French Poodle, (in) BEST IN CLASS, Madison Micucci could not be more deliciously animal.

Berkshire Stage and Screen

THE BOOK OF RUTH

In this story of love and strength each woman makes a sacrifice and through loss achieve a new clarity about life and loss... exceptionally well performed by Micucci.

The Berkshire Edge

SUNDAY IN THE PARK WITH GEORGE

As Dot, in SUNDAY IN THE PARK WITH GEORGE, Micucci exudes charismatic strength and confidence while also earning occasional laughs (particularly in the opening title number), and her vocals truly soar in the Mendelssohn.

The Ann Arbor News

THIN AIR

In "THIN AIR", her world is wholly and movingly created, a complete life made visible through just a few moments' glimpse.

The Times Union