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CABARET
Madison Micucci is "perfectly marvelous" as Sally. Her energy is electric from the first moment she appears on stage until her devastating performance of the climactic title song. She captures Sally's pluck and underlying fragility, and manages to make her sympathetic even in her most destructive and infuriating moments. Her solos "Maybe This Time" and "Cabaret" are the show's strongest numbers.
Tucson Weekly
CABARET
Madison Micucci (is) excellent... appropriately animated, talkative and excitable as the shocking, carefree and mysterious Sally
Talkin' Broadway
CABARET
Doyle and Micucci light the stage as they move to the music, both seeming to have been born to play their respective roles. It is a joy to see them perform and the audience can feel it.
Front Row Reviewers
THE SABBATH GIRL
Micucci's performance as Angie is the emotional engine that makes the play move. From her first entrance, Micucci makes Angie accessible and sympathetic and continues to portray each new facet of Angie's character with equal ease, as we learn more and more about her.
Broadway World
THE CRUCIBLE
THE CRUCIBLE left the audience reeling... If any of the real participants were as excellent of actors as Madison Micucci, the fiery ringleader of the child accusers, it would be no wonder they were believed.
The Utah Review
THE CRUCIBLE
As Abigail Williams (in) THE CRUCIBLE, Madison Micucci is an unnerving mix of sensual and conniving, eventually seduced by her own desire for power.
The Salt Lake Tribune
THE CRUCIBLE
Micucci glints and sparks as the relentlessly devious Abigail. She maintains an extremely active stage presence and communicates her character’s frame of mind at each instant, often with expressions as subtle as a sly smile or a glint in her eye. In her portrayal of the role, it’s clear Abigail’s wickedness knows no bounds.
Deseret News
BEST IN CLASS
As a French Poodle, (in) BEST IN CLASS, Madison Micucci could not be more deliciously animal.
Berkshire Stage and Screen
THE BOOK OF RUTH
In this story of love and strength each woman makes a sacrifice and through loss achieve a new clarity about life and loss... exceptionally well performed by Micucci.
The Berkshire Edge
SUNDAY IN THE PARK WITH GEORGE
As Dot, in SUNDAY IN THE PARK WITH GEORGE, Micucci exudes charismatic strength and confidence while also earning occasional laughs (particularly in the opening title number), and her vocals truly soar in the Mendelssohn.
The Ann Arbor News
THIN AIR
In "THIN AIR", her world is wholly and movingly created, a complete life made visible through just a few moments' glimpse.